Po Yuan Juan’s It was just a virtual kiss is a game video essay that reimagines a love story unfolding within the world of World of Warcraft. The narrative transforms the virtual realm into a canvas for exploring how players construct and extend their identities, using digital avatars as vessels for intimacy. By venturing beyond the screen, the characters evoke the illusion of tangible connection — touching, embracing, and even kissing— across diverse fantasy incarnations. Employing a blend of machinima and computer-realistic animation, the work challenges traditional perceptions of the body, proposing a new, digitally constructed form of existence. The game world becomes a meeting ground for digital haptic perception and actual bodily movement, effectively blurring the line between the virtual and the real. This immersive exploration prompts several provocative questions: Could alternative forms of embodiment exist beyond our physical limitations? To what extent does media technology overcome the constraints of the human body? Might these digital embodiments inspire a new kind of spirit or emotional connection?

Through a series of chance encounters, sparks fly between college literature professor Mia and Tony, a headliner at a Manhattan supper club. Unbeknownst to them, Mia’s mother, Marlene, and Tony’s mother, Sofia, are working some maternal matchmaking magic.

In a sterile white examination room, a young woman is asked by a doctor to undress completely. An exhaustive examination of the protagonist’s skin begins during which every centimetre, the palm of her hand, the sole of her foot, the back and also the genital area are closely scrutinised. The doctor meticulously probes every nook and cranny of the young woman’s outer shell until she is able to identify a suspicious birthmark. A timely appointment to remove the mole is made. Exposed and irritated, the protagonist finds herself confronted with her fears about the surgery and the after-effects of the examination. A tiny birthmark triggers an inner process: an analysis of her own body and the control others are allowed over it. Fragile lines on scarred paper and a tonal design that gives us goosebumps make us participate intensely in her emotions. 源自：https://www.dok-leipzig.de/en/film/its-just-whole/programm

一个十几岁的女孩是一个奇异的影院崇拜上召唤一个古老的巫意图绑架。

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From the personal archives of journalist and filmmaker dream hampton, this visual ode to the golden era of hip-hop provides intimate access to some of rap’s greatest minds, including dream herself.

As seen through the eyes of true baseball enthusiasts, this award-winning documentary tells the story of America's favorite pastime from the Depression to the 1950s, using footage shot from the movie cameras of fans and players. From the first color filming of a baseball game to the 1938 World Series and through the careers of legends such as Joe DiMaggio and Mickey Mantle, the film thoroughly explores the history of baseball in America.

In this third entry of the ongoing HBO documentary series celebrating America's favorite pastime, the focus is on the 1960s, when Major League Baseball was slowly evolving from pure sport to big-bucks entertainment. Using footage of players and fans, the film covers the Yankees' ascension to greatness, the western expansion of both leagues, the increasing inclusion of black players and the rise of free agency.

Review show where industry professionals review the newest in theaters, on TV and cable as well as provide inside Hollywood interviews.

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