Po Yuan Juan’s It was just a virtual kiss is a game video essay that reimagines a love story unfolding within the world of World of Warcraft. The narrative transforms the virtual realm into a canvas for exploring how players construct and extend their identities, using digital avatars as vessels for intimacy. By venturing beyond the screen, the characters evoke the illusion of tangible connection — touching, embracing, and even kissing— across diverse fantasy incarnations. Employing a blend of machinima and computer-realistic animation, the work challenges traditional perceptions of the body, proposing a new, digitally constructed form of existence. The game world becomes a meeting ground for digital haptic perception and actual bodily movement, effectively blurring the line between the virtual and the real. This immersive exploration prompts several provocative questions: Could alternative forms of embodiment exist beyond our physical limitations? To what extent does media technology overcome the constraints of the human body? Might these digital embodiments inspire a new kind of spirit or emotional connection?

《女力》（My Superpower Girl）：将天赋异禀神力视为畏途的孔壮丽，在一场意外发生后发现自己的超能力不该被掩饰；女命不该随夫走，追求幸福和拥有超能力一样值得骄傲。正当她抉择的时刻，台湾竟然天摇地动了起来…… 　　《亲爱的，你好吗》（Darling, how are you）：“亲爱的，你好吗？”这是经历人生巨变的力匀对自己的问候。藉由舞蹈和银饰创作，她发现改变是最大的力量，人生就此不同…… 　　《夏天》（Summer）：每个有浪的日子，菲菲总会陪着男友阿邦去海边冲浪。一次阿邦描述冲浪那股难以言喻的快感，驱使菲菲决定亲身体验。在逐浪的过程中，找寻着属于自己的“夏天”。

Explores the objectification of women's bodies and beauty on Spanish television to boost viewership.